Thursday, 5 December 2013

BEN FROST



























"steel wound"
Year:    2006
Label:    Room 40
Format:    CD
Tracks:    6
Time:    60 min.
Genre:    electronic
Style:           Ambient            Experimental





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"theory of machines"
Year:    2006
Label:    Bedroom community
Format:    CD, LP
Tracks:    5
Time:    60 min.
Genre:    electronic
Style:            Experimental            Ambient





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"the invisibles"
Year:    2010
Label:    Amnesty International
Format:    CD
Tracks:    8
Time:    32 min.
Genre:    electronic
Style:            Drone            Ambient











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"By the throat"
Year:  2011
Country:  Australia
City:  Melbourne
Artist:  Ben Frost
Label:  Bedroom Community
Format:  CD
Tracks:  11
Time:  50 min.
Genre:  electronic
Style:           Experimental            Noise












The music of Ben Frost is about contrast; influenced as much by Classical Minimalism as by Punk Rock and Metal, Frost's throbbing guitar-based textures emerge from nothing and slowly coalesce into huge, forbidding forms that often eschew conventional structures in favor of the inevitable unfoldings of vast mechanical systems.
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"FAR"
Year:    2013
Label:    none
Format:    digital
Tracks:    9
Time:    60 min.
Genre:    electronic
Style:            Drone            Experimental




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"black marrows"
Year:    2013
Label:    none
Format:    digital
Tracks:    7
Time:    60 min.
Genre:    electronic
Style:            Experimental            Noise





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"aurora"
Year:    2014
Label:    Mute
Format:    CD, LP
Tracks:    9
Time:    60 min.
Genre:    electronic
Style:            Experimental            Noise




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"the centre cannot hold"
Year:    2017
Label:    Mute
Format:    CD, LP
Tracks:    10
Time:    60 min.
Genre:    electronic
Style:            Experimental            Electronic












Ben Frost has announced details of his fifth studio album, The Centre Cannot Hold, out on 29 September 2017. The Centre Cannot Hold was recorded over ten days by Steve Albini in Chicago. The music exists not in space, but in a space; it is a document of an event, of a room, and of the composer within it. It is music that is not fully controlled and appears to be anxiously, often violently competing against its creator. An exercise in limitation and chromatic saturation, The Centre Cannot Hold is an attempt at transcribing a spectrum of glowing ultramarine into sound. Watch the video for Threshold Of Faith, the opening cut from the new album, a new collaboration shot in the winter of 2016 in Reykjavík, Iceland with conceptual documentary photographer Richard Mosse and Cinematographer Trevor Tweeten: po.st/BF Threshold Video Ben Frost released Threshold Of Faith, a seven-track 12” and digital EP, last month. Pitchfork describe the track title track as “moving from heroic vistas into a garbled, snow-blinded melee. Distant choral pads, a glistening upper-register sheen, submerged piano, and groaning harmonies all stack up into a geologic crescendo that extends into infinity.” while The 405 describe the EP as “scorching and beautiful”.
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