Saturday, 23 September 2017

SOUNDGARDEN


























"superunknown"
Year:    1994
Country:    US
City:  Seattle
Label:    Universal music
Format:    CD, LP
Tracks:    15
Time:    73 min.
Genre:    rock
Style:            Alternative Rock












"superunknown" is the fourth album by the rock band Soundgarden. It was released on March 8, 1994 through A&M Records (Universal Music). The band began work on the album after touring in support of its previous album, Badmotorfinger (1991). The resulting album captured the creativity and heaviness of the band's earlier releases while displaying a more diverse range of influences of 60's and 70's decade as: Led Zeppelin, Black Sabbath, The Velvet Underground or The Doors, to mention just a few ones.





The album was a critical and commercial success and became the band's breakout album. It peaked at number one on the Billboard 200 and reached high positions on charts worldwide. Five singles were released from the album: The Day I Tried to Live, My Wave, Fell on Black Days and the Grammy Award-winning songs Black Hole Sun and Spoonman, the latter two of which helped Soundgarden reach mainstream popularity. In 1995, the album was nominated for a Grammy for Best Rock Album. The album has been certified five times Platinum in the United States.





The album's recording sessions took place from July 1993 to September 1993 at Bad Animals Studio in Seattle, Washington. The band worked with producer Michael Beinhorn. Regarding the change in producer from previous collaborator Terry Date to Beinhorn, guitarist Kim Thayil said, "We just thought we'd go for a change." The album was mixed by Brendan O'Brien. Soundgarden began work on the album about two months after finishing its stint on the 1992 Lollapalooza tour. The individual band members would work on material on their own and then bring in demos to which the other members of the band would contribute. Frontman Chris Cornell said that the band members allowed each other more freedom than on past records. Thayil observed that even though the band spent as much time writing and arranging as it had on previous albums, it spent a lot more time working on recording the songs. Soundgarden took the approach of recording one song at a time. The drum and bass parts were recorded first for each song, and then Cornell and Thayil would lay down their parts over top.





Cornell said that getting to know Beinhorn contributed to the length of time Soundgarden spent working on the album. The band spent time experimenting with different drum and guitar sounds, as well as utilizing techniques such as layering, resulting in an expansive production sound. Cornell said, "Michael Beinhorn was so into sounds. He was so, almost, anal about it, that it took the piss out of us a lot of the time…By the time you get the sounds that you want to record the song, you're sick and tired of playing it."Soundgarden took a break in the middle of recording to open for Neil Young on a ten-day tour of the United States. The band then brought in Brendan O'Brien to mix the album; O'Brien had come recommended by Pearl Jam guitarist Stone Gossard. Thayil called the mixing process "very painless," and bassist Ben Shepherd said it was "the fastest part of the record".
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